Publications

Apart from the annual Hasselblad Award book, the Hasselblad Foundation also publishes books and anthologies based on exhibitions and symposia. The thematic exhibitions with works from the collection have resulted in the publications Still Life / Work Life (2013) and Framing Bodies (2015). Research symposia have resulted in the anthology series Negative (2014-2016). The titles include Imprint: Visual Narratives in Books and Beyond; Auto: Self-Representation and Digital Photography; Broken: Environmental Photography and Order and Collapse: The Lives of Archives.

 

Larger research- and exhibition projects have resulted in the anthologies Women Photographers – European Experience (eds. L. Johanneson and G. Knape, 2004); WATCHED! Surveillance, Art and Photography. (eds. L. Wolthers, D. Vujanovic and N. Östlind, 2016) and Thresholds. Interwar Lens Media Cultures 1919-1939 (eds. M. Jönsson, L. Wolthers and N. Östlind, 2021).

 

 

Selected publications by the Hasselblad Foundation’s researcher

 

Wolthers, Louise. Seeing Through Scandinavian Exceptionalism: Tina Enghoff’s Photography. In Journal of European Studies: Special Issue: Europe in Photography Today (47:4). Sage 2017.

 

Wolthers, Louise. Monitoring the Margins: Street Views of Sex-workers. In Photography & Society Vol. No. 3. Taylor & Francis 2017

 

Wolthers, Louise. Watching Europe and Beyond: Surveillance Art and Photography after the Millennium. In WATCHED! Surveillance, Art and Photography. Louise Wolthers, Dragana Vujanovic and Niclas Östlind (eds). Köln: Verlag der Buchhandlung Walther König 2016.

 

Wolthers, Louise. Viewing Ecologies. In WATCHED! Surveillance, Art and Photography. Louise Wolthers, Dragana Vujanovic and Niclas Östlind (eds.). Köln: Verlag der Buchhandlung Walther König 2016.

 

Wolthers, Louise. Surveilling Bodies: Photography as Control, Critique and Concern /Den övervakade kroppen: Fotografi som kontroll, kritik och omsorg (bilingual)
In Framing Bodies. Dragana Vujanovic and Louise Wolthers (eds.). Stockholm: Art and Theory Publishing 2015

 

Wolthers, Louise. Imagining Migration in Europe: Surveillance and Other Visibilities. In Photographic Powers. Helsinki Photomedia 2014

The publication can be downloaded at:

http://helsinkiphotomedia.aalto.fi/files/Photographic_Powers_Helsinki_Photomedia2014.pdf

 

Wolthers, Louise. Gatherings: Photography as Community. In The Image Collection. Minik Busk Langkjær (ed). Aarhus: Galleri Image, 2016.

 

Wolthers, Louise. Framing the Migrant Body. In Jane Jin Kaisen: Loving Belinda. Copenhagen: Forlaget * [asterisk], 2015.

 

Wolthers, Louise. The Inappropriate. In Hanne Nielsen & Birgit Johnsen: Inclusion & Exclusion. Aarhus: ARoS Aarhus Kunstmuseum, 2014.

 

Wolthers, Louise. The Careful Look: Tina Enghoff’s Migrant Documents. In DOX. European Documentary Magazine, Summer #102 (2014).

 

Wolthers, Louise. Autographing: Digitized Self-Imagery/Autografologi: digitala självbilder (bilingual). In: Auto: Self-Representation and Digital Photography, Hans Hedberg, Gunilla Knape, Tyrone Martinsson and Louise Wolthers (eds.). Stockholm: Art and Theory Publishing, 2014.

 

Wolthers, Louise and Petersson, Dag. Editorial/Monitor. In: Photographies vol. 7 no. 1 (2014): 1–10.

 

Wolthers, Louise. Fotohistoriskt/Photo-history (bilingual); Den svenska fotografins historia 1840–1940/The history of Swedish Photography 1840–1920 (bilingual). In Mellan Verkligheter/Between Realities, Kristoffer Arvidsson, Louise Wolthers and Niclas Östlind (eds.). Stockholm: Bokförlaget Arena, 2014.

 

Wolthers, Louise. Månfotografierna. Historiska bilder i en brytningstid [The moon photographies. Historical images in a period of transition]. In En målad historia [A painted history], Kristoffer Arvidsson (ed.). Gothenburg: Göteborgs Konstmuseum, 2014.

 

Wolthers, Louise. Virtual Selves: Art and Digital Autobiography. In The New Face of Snapshot Photography, Jonas Larsen and Mette Sandbye (eds.). London: I.B. Tauris, 2014.

 

Wolthers, Louise. Mobile monitoring: Self-tracking in counter-surveillance art. In Representational Machines. Photography and the Production of Space, Anna Dahlgren, Nina Lager Vestberg and Dag Petersson (eds.). Aarhus: Aarhus University Press, 2014.

 

Wolthers, Louise. Gränser/Borders (bilingual). In Tina Enghoff: Migrant Documents. Stockholm: Journal, 2013.

 

Wolthers, Louise. Mobile Monitoring. In Photographies vol. 6 no. 1 (2013).

 

Wolthers, Louise. Things and People: Still Life Meets Work Life. In Still Life/Work Life, Dragana Vujanovic and Louise Wolthers (eds.). Stockholm: Art and Theory Publishing, 2013.

 

Wolthers, Louise. Punctuating National Narratives. In Performing Memory in Art and Popular Culture, Anneke Smelik and Liedeke Plate (eds.). London: Routledge, 2013.

 

Wolthers, Louise. Escaping the Fortress of Memory: Archive Pathology in Lindsay Seers’ Art. In Performing Archives/Archives of Performance, Gunhild Borggreen and Rune Gade (eds). Copenhagen: Museum Tusculanum Press, 2013.

 

 

Research in progress

Research in progress

Previous Projects

Previous Projects

Seminars

Seminars